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2020 - 2026
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Poland
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At her death in 2020, Eavan Boland left a formidable body of work – poems and prose. Together they transformed Irish poetry and had a considerable influence throughout the English-speaking world. She was also a major essayist, whose potent non-fiction work challenged and changed Irish culture and society. This collection of her most important essays combines autobiographical and critical reflections on the events and influences that shaped her life and work. It includes work never before collected, as well as draft chapters of the memoir Daughter that she was working on when she died. This wise, generous book, published on what would have been Eavan Boland's 80th birthday, tells the intertwined stories of her life and her writing, her work as a writer who was also a mother and a daughter, her sense of Ireland and exile, and her evolving insights into how the poet can earn, widen and share her freedoms. 'As time went on,' Jody Allen Randolph writes, 'Boland's prose grew clearer in focus and purpose; she argued that a poet's work is not just to write their poems, but also to contribute to the critique by which they will eventually be judged.'
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The Devil Prefers Mozart is the first comprehensive collection of Anthony Burgess's writings about music. In this extensive compilation of essays and reviews, he covers a vast range of musical topics, from the hurdy-gurdy to Beatlemania and the Sex Pistols, with Burgess's love of English music represented by writings on Elgar, Holst, and Delius. There are essays on Handel, Mozart, Beethoven, Berlioz and Wagner and other great composers from Monteverdi to Weill, as well as writings about Burgess's favourite performers, including Yehudi Menuhin, Larry Adler and John Sebastian. Whether whimsical ('Food and Music'), satirical ('Anybody Can Conduct') or controversial ('Why Punk Had to End in Evil'), Burgess's writing is consistently informative and entertaining. The music of Debussy sparked Burgess's musical imagination so powerfully when he was a boy in Manchester that he composed his first symphony at eighteen years of age and aspired to a career as a professional composer until his mid-thirties. Writings about his own music provides valuable information about many of Burgess's compositions, including his Symphony in C, his works for guitar quartet, and his opera Blooms of Dublin based on Joyce's Ulysses. Carcanet also publishes The Ink Trade, a companion volume of literary essays.
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Library Lives plots the lifelong love affair between one particular bookworm and the John Rylands Library in Manchester, its collections drawn from every corner and period of the textual and meta-textual world. How do we read – and what can we read from – a potsherd, a locket, a fragment of papyrus, a gorgeously illuminated medieval manuscript, an envelope, a seemingly ordinary book? Stella Halkyard, one of the library's erstwhile archivists, tells the life stories of some of this great library's previously unsung treasures and provides radical new readings for a few of its acclaimed gems. In a sequence of idiosyncratic and often playful short essays she celebrates the resonance of these objects and their ability to tell stories that range across time and place, from the Ancient Egyptian Book of the Dead, to John Donne's shroud, eighteenth-century Chinese papermaking, Elizabeth Bishop's letters, plastic surgery in sixteenth-century Italy, the lining of Walt Whitman's hat, and Delia Derbyshire's wartime gas mask. Selected from Halkyard's popular 'Pictures from a Library' and 'Archive Corner' features published in PN Review over the last two decades, these essays have been brought together for the first time and put into productive dialogue with each other.
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The Reverse Side of the Tapestry is the definition Cervantes gives of translation in Don Quixote; here, it is an essay on the translator's craft. Alberto Manguel has been a translator of many great writers – Borges and Marguerite Yourcenar into English; Katherine Mansfield and Paul Eluard into Spanish. In this book-length essay he delivers an eloquent meditation on the art of literary translation which, to Manguel's mind, is the keenest form of reading. Featuring original illustrations from Manguel himself.
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This selection of Middleton's letters offers a new beginning point for readers of this dazzling, many-talented writer. The first letter here dates from 1936, the last from 2015, and this selection charts a life lived to the full as the poet reports on his work, his writing life and his continuous transatlantic engagement with the poets and critics of his generation. Enthusiastic, discursive and slyly humorous, Christopher Middleton (1926–2015) was an electrifying correspondent. This selection of his letters spans his entire literary career, illuminating his own practice and the modernist poetic project more broadly. He is represented here as poet, translator, teacher, reader: perhaps most of all, voracious noticer. The letter was an ideal medium for an imagination like Middleton's, open to unexpected connections and transitions, interested jackdaw-like in whatever presents itself, as these 101 examples make clear.
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Northern Ireland is on fire. But rather than attending to the conflict raging around her, the young Sinéad Morrissey is obsessed with the Cold War, East Germany and the utopia of the USSR. Set against the distinctive cultural milieu of Belfast Communism – its smoky meeting rooms, protests, marches, sports days, holidays, discos and Party bazaars – Among Communists tells a history of the Troubles unlike any other whilst simultaneously charting a young writer's journey into poetry. When the Berlin Wall came down in 1989, surprising everyone – Western Communists most of all – Morrissey's family followed suit and fell apart. This memoir charts those personal and political earthquakes, weaving together a lyrical exploration of familial love, belief, contrariness and loss, and of the galvanising power of sudden endings to make and re-make the past.
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Cancer / Tom Raworth. - [miejsce nieznane] : Lives and Letters : Legimi, 2025.
Form of Work
Cancer – Tom Raworth's 'lost' book – was originally to have been published by Frontier Press in 1973. After Frontier's funds ran out, the typescript was returned to its author, and its opening section, 'Logbook', was published as a standalone volume by Poltroon Press in 1976. Revised versions of Cancer's other two sections were published separately in the 1980s; the original versions of both – the 'Journal' as written in the opening months of 1971, and the letters Raworth sent to Edward Dorn in the spring of that year, during his residency at the Yaddo artists' retreat in Saratoga Springs, New York – are published here for the first time.
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